Ben Allison has done it again, expertly guiding his ensemble, Medicine Wheel, through the labyrinths of these strong new compositions. There's a multifaceted brilliance at work here: a stunning display of melodic gifts and sheer instrumental ability, a mastery of orchestrational detail, and an aesthetic of celebration amid the music's high seriousness. As he has in the past, Allison succeeds in never repeating himself. Each track is its own universe, with a host of distinguishing sonic features and moods. The most outwardly exciting tunes are Riding the Nuclear Tiger, a drum'n'bass style romp that gets its title from an actual headline in The Economist, and Swiss Cheese D, a comic-book funk explosion inspired by the play-by-play commentary of retired basketball great Walt Frazier. Allison's and Ballard's stop-time fills on the latter are dead-on and electrifying. But some of the subtlest orchestration can be heard on the mellower tracks. For instance, hear the way pianist Frank Kimbrough and trumpeter Ron Horton answer saxophonist Ted Nash's melody line in Jazz Scene Voyeur. Or how Kimbrough's piano and Tomas Ulrich's cello blend on the unison melody of saxophonist Michael Blake's piece Harlem River Line, the one track not written by Allison. For that matter, listen to the end of Blake's piece, when bass and drums drop out, leaving only the horns to state the theme while Kimbrough decorates it with subtle piano fills. This is a band that knows how to surprise listeners at every turn.

1		Riding the Nuclear Tiger
2		Jazz Scene Voyeur
3		Love Chant Remix
4		Swiss Cheese D
5		Weazy
6		Charlie Brown's Psychedelic Christmas
7		Harlem River Line
8		Mysterious Visitor
9		Tectonics

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