In this post-millennial age of anxiety about the continued relevance of the album format, Hans-Peter Lindstrøm has handily established himself as the king of neo-future-retro-disco without ever bothering to release a "proper" album of his own material. Technically speaking, Where You Go I Go Too marks the Norwegian's first full-length foray, although his zealous, literal-minded approach to the format hardly makes for a more conventional "album" than the 2006 singles comp that was his solo CD debut, It's a Feedelity Affair. Where You Go has but three tracks -- roughly 30, 10 and 15 minutes long, respectively -- which play as the movements of a single, epic, hour-long work rather than as individual pieces. The transitions into and out of each piece are relatively gradual and subtle, and while each has its own distinct set of constituent material (motivic polyrhythmic patterns, melodic riffs, arpeggiator settings), they tend to be developed in similar ways, none of which should be new to Lindstrøm's followers: constantly growing and kaleidoscoping layers of instrumental texture, lovingly teased and tweaked electronic filters and effects, unexpected and dazzling harmonic shifts, and occasionally spacy synth swooshes that come along to tear everything down, only so it can be built back up again. The song titles vaguely suggest the concept of a monumental journey -- Lindstrøm has recommended listening to the album while walking or traveling by plane or train -- and this is unquestionably music about exploring and relishing the process of change and mutation itself, rather than advancing any specific, tangible musical content.

1		Where You Go I Go Too
2		Grand Ideas
3		The Long Way Home
4		Where You Go I Go Too, Pt. 1
5		Where You Go I Go Too, Pt. 2
6		Grand Ideas
7		The Long Way Home