This release for the 76-year-old baritone saxophonist does not fare as well as Cerupa and Scotch Milk, primarily because his tone is thin and edgier than his partners, trombonist Steve Davis and the wonderful tenor saxophonist Eric Alexander. However, this is still a pretty good CD with nearly 73 minutes of vibrant, swinging modern jazz from the aforementioned horn players and especially the ever brilliant pianist Harold Mabern. The first four cuts are Cecil Payne originals. Spiritus Parkus is a bopper with strident trombone, fluttery tenor, and Payne's dour accents. Martin Luther King, Jr. is a poignant, regretful ballad replete with Mabern's regal piano, Payne's tart and sweet bari, and Davis' weeping trombone. James has a cute, child-like melody but swings pretty hard, while That's It Blues is slower and proof positive of Alexander's prowess in this style. Of the standards, Lover Man is Payne's feature, and when the other more in-tune horns lay out, he takes charge and commands attention. Payne sits back on Miles Davis' Tune Up, playing the bridge but not much of the hard and fast melody. The Clifford Brown-associated Delilah has Payne on flute (which is slightly less biting than his bari), while Steve Davis wrote the title cut, which has a singsong melody and another definitive solo from Alexander. With the aforementioned crew, along with up-and-coming drummer Joe Farnsworth and bassist John Webber, Payne has all the support he needs. Perhaps his embouchure is wanting or he needs to tune up a little -- he is tonally challenged and that may dissuade some from championing him -- but more often than not, he's a successful team player, and that is evident in spades on this slightly off-putting but still enjoyable recording. ~ Michael G. Nastos, Rovi

1		Spiritus Parkus
2		Martin Luther King Jr
3		James
4		That's It Blues
5		Payne's Window
6		Southside Samba
7		Lover Man
8		Tune Up
9		Delilah
10		Hold Tight