Compared to Lazy's debut album Some Assembly Required, this is a fairly short album; however, it has a much harder edge. It's more danceable than Lazy's debut, but the departure of original bassist/vocalist Suzann Lynch affects the band. Gone are the half-innocent/half-threatening duo aesthetics that fueled the group's earlier days when Lynch and guitarist/vocalist Steve Schmoll worked as counterpoints in each song, creating a winning formula. Lynch's replacement, Kari Murphy, has a deeper vocal tone, the bass is a bit louder, and every track except Cherry Smash exudes heavy amounts of distortion. Schmoll almost takes on a Sonic Youth/Thurston Moore quality in his vocal delivery that, much like Moore, falls somewhere between sounding like a cocky sneer and a slightly comatose individual. As far as the music goes, Schmoll presents cacophonous and stuttered songs that are full-throttle punk (i.e., Taya, Cut It, Petrified, and Cinderella). By the end of the album, Lazy has fallen prey to the problem of many other indie rock groups, beginning to sound standardized and losing the original quality of the song themes, childlike with adult overtones, that made the band truly unique in the beginning. ~ Stephen Howell, Rovi

1		Favorite Song
2		Cut It
3		Stella Drye
4		Get It Right
5		Shut Down
6		What I Need
7		Cherry Smash
8		Petrified
9		Taya
10		All About You
11		Cinderella
12		Half Assed
13		Johnny Come Lately