While an ear for melody had always tempered Boy Sets Fire's post-hardcore tumult, 2000's After the Eulogy moved even more consciously toward hooks with the mid-tempo rock of tracks like When Rhetoric Dies. Since then, the Delaware-based quintet has left Chicago indie Victory for Wind-Up, the New York-based label that made its name with Creed. Tomorrow Come Today, their Wind-Up debut, doesn't dilute the band's often caustic political discourse; musically, however, the band has fully embraced the melodicism that After the Eulogy hinted at. As a logical progression, this is understood and accepted. But the album suffers from big-league production homogeny. Produced by ex-Ugly Kid Joe guitarist Dave Fortman (who also manned the boards for the young Wind-Up groups 12 Stones and Evanescence) and mixed by Jay Baumgardner (Godsmack, Orgy), Tomorrow Come Today is a meticulously detailed sound recording. Josh Latshaw and Chad Istvan's guitars are impenetrable or elegiac, depending on the mood, but the rhythm section of Rob Avery (bass) and Matt Krupanski (drums) gets the short end of the stick. Ultra-compressed guitars and touches of programming and piano -- not to mention the significant emphasis on Nathan Gray's vocals -- unfortunately make tracks like Bathory's Sainthood, High Wire Escape Artist, and the hidden bonus ballad With Every Intention sound too similar to the glut of aggressive metal also-rans that have clogged the market since the popular explosion of the genre.

1		Eviction Article
2		Last Year's Nest
3		Full Color Guilt
4		Bathory's Sainthood
5		Dying On Principle
6		Handful of Redemption
7		Release the Dogs
8		Foundations To Burn
9		Management Vs. Labor
10		High Wire Escape Artist
11		White Wedding Dress
12		On In Five
13		With Every Intention