The self-described symphonic goth metal of Sweden's Beseech has heretofore stayed remarkably consistent, considering the level of personnel turmoil Beseech have been through since their 1995 debut. With the group now expanded to a septet from its original five-man lineup, Sunless Days finds the band more comfortably integrating its two most recent arrivals, singers Erik Molarin and Lotta Höglin, into the familiar Beseech sound, and the changes, while minor, are striking. Molarin's moody baritone recalls, at times, both Bauhaus' Peter Murphy and Type O Negative's Pete Steele, and it's a more effective asset for the band than the usual strident death metal growl. Similarly, Höglin's not an operatic soprano, which gives her vocals a warmer and more inviting tone than most female singers in similar bands. Add in the subtle way in which second guitarist Robert Vintervind integrates electronic textures into songs like A Bittersweet Tragedy and it's clear that Beseech are expanding their original sound, de-emphasizing the "metal" in favor of a greater focus on the "goth." It's a smart move that plays to the group's strengths. [This edition contains two bonus tracks.] ~ Stewart Mason, Rovi

1		Innerlane
2		The Outpost
3		A Bittersweet Tragedy
4		Everytime I Die
5		Devil's Plaything
6		Lost
7		Last Obsession
8		Emotional Decay
9		Restless Dreams
10		Reversed Mind
11		Manmade Dreams [Re-Make
12		Lost [Emotional Version

	Like us on Facebook
	@SoundHound	Follow