David Grisman returns in fine, if standard, form on Dawgnation, the first record of new material produced by his David Grisman Quintet since 1995's Dawganova. The material on Dawgnation doesn't break any new ground particularly, though Grisman's so-called "dawg" music -- a mix of bluegrass, hot jazz, Latin grooves, klezmer, and world rhythms -- can still be exhilarating, especially if one has never heard it before. The band manages to keep the energy high and the music fresh-sounding, making this as fine a starting point into the quintet as any. Each of the tracks is a tribute to one of Grisman's extended musical family -- such as Slade (for the late Charles Sawtelle), Why Did the Mouse Marry the Elephant? (for bassist Edgar Meyer), and the title track for "Spudboy" (aka Jerry Garcia). Still, the pastoral mix of Matt Eakle's flute, Enrique Coria's flamenco jazz guitar, and Joe Craven's fiddle and percussion with Grisman's mandolin melodies doesn't break any new boundaries. It is calming, pretty, well-executed music that is unlikely to offend anyone, but is ultimately (perhaps) slightly too lite to be considered ballsy and a touch too syncopated and strange to find acceptance among any mainstream audience. ~ Jesse Jarnow, Rovi

1		Citizens Of Dawgnation
2		Slade
3		Mellow Mang
4		Why Did The Mouse Marry The Elephant?
5		Cha Cha Chihauhua
6		Desert Dawg
7		Twin Town
8		Vivace
9		Mr. Coolberg
10		Dawgnation
11		Bluegrass At The Beach
12		Argentine Trio
13		Dawg After Dark