Soulful British crooner James Blunt's wistful debut infuses the listener -- in order -- with rainy-day hope, the wistful comfort of unattainable love, and finally, world-weary resignation. While his parched falsetto recalls Gasoline Alley-era Rod Stewart with a healthy dose of Antony and the Johnsons, it's the late Elliott Smith who casts the largest shadow on Back to Bedlam. Predictable but effective four-chord guitar motifs are the chosen vehicle for the ex-Royal Armed Forces soldier, and when they connect (Wiseman, Goodbye My Lover, You Are Beautiful), it's like a "Dear John" letter from a lover who you know will remain a close but ultimately guarded friend. Opening track High sets a determined midtempo pace that rarely wanes -- it's like an acoustic version of Drive by the Cars with a Coldplay chorus. It's a pace that would sink some records, but Bedlam's perfectly rendered, under 40-minute run time ensures that the listener doesn't suffer from a melancholy overdose. Blunt recounts his harrowing experiences as part of the NATO peacekeeping force in Kosovo on the closer, No Bravery, and it's a shock to hear all of the romantic lyricism that informed Bedlam up to this point reduced to "Old men kneel and accept their fate/Wives and daughters cut and raped/A generation drenched in hate," but it's damn effective -- as is the majority of this fine debut. ~ James Christopher Monger, Rovi

1		High
2		You're Beautiful
3		Wisemen
4		Goodbye My Lover
5		Tears and Rain
6		Out Of My Mind
7		So Long, Jimmy
8		Billy
9		Cry
10		No Bravery