In many ways, Edge of Allegiance presented Timbuk 3 at a crossroads. It was their last album as a duo (1991's Big Shot in the Dark would find them replacing their well-worn drum machine with a real-life rhythm section), so it was a transitional effort in that respect, but it also brought to fruition the musical maturity and sense of nuance that had been blossoming since the pair's 1986 debut. No longer were Pat and Barbara K. MacDonald singing merely about the personal or the political; they were combining the two, and at times using one as a metaphor for the other, with multi-layered songs like the incisive Standard White Jesus (perhaps Timbuk 3's crowning achievement), B-Side of Life, and Acid Rain. Rhythms were becoming more complex, presumably as a result of the contributions of jazz percussionist Denardo Coleman, who produced the album; the snaky, Latin-leaning Standard White Jesus left barely a hint that Timbuk 3 was still in possession of its famed drum machine. As such, Edge of Allegiance was Timbuk 3's least funky record; only Count to Ten kept that aspect of the band's sound intact. But Pat MacDonald's lyrical observations and facility with wordplay were razor sharp here, and as a collection of intelligent pop songs, the album ranks with the best of its period. In three short verses, Wheel of Fortune, sung by both vocalists over a stark guitar accompaniment, sums up the bittersweet reality of relationships more elegantly than do most songs given twice as much space. ~ Kenneth Bays, Rovi

1		National Holiday
2		Waves of Grain
3		Dirty Dirty Rice
4		Pass It On
5		Standard White Jesus
6		Grand Old Party
7		Count to Ten
8		B-Side of Life
9		Acid Rain
10		Daddy's Down In the Mine
11		Don't Give Up On Me
12		Wheel of Fortune