Upbeat ska with a Two Tone flair, highly melodic, totally infectious, and fused with soul, swing, and jazz, the Pietasters self-titled debut album is an absolute delight. On a computer screen, this mix of styles looks far from unique, but on the stereo their blend is far removed from virtually all other third wave ska revivalists. Take Perfect World for example, which careens across the grooves in typical frenetic ska style. What sets the song apart, however, is not just the Latino-tinged brass, à la the Supersonics on amphetamines, but also Caroline Boutwell Jackson's Ray Manzarek-flavored Farfisa, Tom Goodin's surf-tinged guitar, and Chris Watt's thundering bassline. That Doors-y organ is also prominent on the propulsive Ace Miller, although contrarily, that song's soul belongs to Chuck Berry. The brass section's hearts, however, belong to jazz, and their superb musicianship is brilliantly showcased across virtually entire set. The blistering big band instrumental Factory Concerto captures them at their best, whilst also throwing the spotlight on drummer Ben Gauslin. The moodier instrumental Pietaster also highlights both the brass' silky skills, as well as Goodin's superb guitar work. His surfing style is integral to Metro, another brass-laced instrumental that also spotlights Boutwell Jackson's organ. Not content with that, Concerto is revisited at the end of the set, giving the musicians another opportunity to shine.

1		Intro
2		Dollar Bill
3		Perfect World
4		Little Engine
5		Night Owl
6		Model Citizen
7		Factory Concerto
8		Ace Miller
9		Metro
10		Five Days of the Week
11		Catalog Bohemian
12		Pie Taster
13		Without You