Little Big Town scored big with its second album, 2005's The Road to Here, thanks to high charting singles like Good as Gone. Karen Fairchild, Kimberly Roads Schlapman, Jimi Westbrook, and Phillip Sweet fused rootsy contemporary country with acoustic and electric instruments, and their vocal harmonies inspired by Fleetwood Mac proved irresistible. A Place to Land is superior to its predecessor in every way, though: production feels more organic, the music is more sophisticated, and the lyrics more poignant. Perhaps the real secret to the success of this quartet is its secret weapon in behind-the-boards fifth member Wayne Kirkpatrick, who serves as the band's producer and songwriting partner. He's chief guitar picker, and plays just about anything with strings, as well as the clavinet and B-3. If the sound on The Road to Here is reminiscent of Fleetwood Mac's glory years, A Place to Land drinks deeply from the well of the entire Southern California scene from the mid- to late '70s. It's not all regurgitation, either. Little Big Town's sound is rooted deeply in traditional, organic country music. Their songs meld seamlessly with the vocal harmonies that evoke vintage Crosby, Stills Nash and the Eagles' earliest records.

1		Fine Line
2		I'm with the Band
3		That's Where I'll Be
4		Evangeline
5		Vapor
6		Novocaine
7		Only What You Make of It
8		A Place to Land
9		Firebird Fly
10		To Know Love
11		Lonely Enough
12		Fury

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