Jacky Terrasson's 1999 album, What It Is, represented something of a risk. The young pianist's first three albums were barebones trio affairs that had won him rave reviews, whereas What It Is featured additional instruments and was more slickly produced. Gone, it seemed, was the sparse, acoustic approach that had originally given Terrasson his fame. But while this new direction yielded mixed results and left some fans a bit befuddled, one had to respect Terrasson's need to grow and evolve as an artist.Terrasson does much better with his follow-up, A Paris, an homage to the city of his youth and early adulthood. While not a return to the simple piano trio format (there are five guest musicians in addition to two alternating rhythm sections), the album has a spontaneous, natural sound that was lacking from the studio-centric What It Is. What's more, A Paris is packed with new and varied ideas that work, not to mention passionate, fiery playing throughout.Only the last two tracks are originals, the fewest ever on a Terrasson album. Rue de Lombards, a funk fragment that sounds like an in-studio improvisation, is credited to Terrasson, drummer Terreon Gully, and bassist Remi Vignolo. The rest of the tracks are Terrasson's highly personal readings of songs from French culture. Most will not be familiar to American listeners, with the possible exception of La Marseillaise -- the French national anthem -- and the Edith Piaf classic La Vie en Rose, played in a calypso feel by Terrasson and percussionist Minino Gara.Guitarist Bireli Lagrene's cameos on the bluesy title track and the swinging Que Reste-T'Il de Nos Amours? are nothing short of brilliant. The latter, which bears an uncanny likeness to Lerner Loewe's Almost Like Being in Love, features Terrasson on Fender Rhodes electric piano. Saxophonist Stefano di Battista also makes two fine appearances, playing tenor on the fast, tense Jeux Interdits and soprano on the lively and pretty L'Aigle Noir, one of the two originals. Both Lagrene and Battista return for the brief, full-company finale, an intoxicating funk line by Terrasson titled Métro.

1		Plaisir d'amour
2		Les chemins de l'amour
3		Jeux interdits
4		À Paris
5		I Love Paris In the Springtime
6		Que reste-t'il de nos amours ?
7		Ne me quitte pas
8		La vie en rose
9		Nantes
10		La Marseillaise
11		Rue des Lombards
12		L'aigle noir
13		I Love You More
14		Metro