Perhaps frustrated by the lack of commercial success Imperial Bedroom encountered, Elvis Costello enlisted British hitmakers Clive Langer and Alan Winstanley to produce its follow-up, Punch the Clock. The difference between the two records is immediately noticeable. Punch the Clock has a slick, glossy surface, complete with layered synthesizers, horns, studio effects, and the backup vocals of Afrodiziak. The approach isn't necessarily a misguided one, since Costello is as much a pop musician as he is a singer/songwriter and many of the best moments on the record -- Everyday I Write the Book, Let Them All Talk -- work well as shiny pop singles. However, the problem with Punch the Clock is that Costello is entering a fallow songwriting period; it is his least consistent set of original songs to date. The best moments, the antiwar ballad Shipbuilding and the eerie pseudo-rap Pills and Soap, are as articulate and effective as any of his past work, but frequently Costello falls short of meeting his standards, particularly when he's trying to write a song in the style of his older songs. Nevertheless, the sheen of the Langer and Winstanley production makes Punch the Clock a pleasurable listen. Costello's uneven writing means that only portions of the album are memorable. ~ Stephen Thomas Erlewine, Rovi

1		Let Them All Talk
2		Everyday I Write the Book
3		The Greatest Thing
4		The Element Within Her
5		Love Went Mad
6		Shipbuilding
7		The World and His Wife
8		TKO (Boxing Day)
9		Charm School
10		The Invisible Man
11		Mouth Almighty
12		King of Thieves
13		Pills and Soap