Unlike Stereopathetic Soul Manure and One Foot in the Grave, the indie albums that followed his debut Mellow Gold by a mere matter of months, Odelay was a full-fledged, full-bodied album, released on a major label in the summer of 1996 and bearing an intricate, meticulous production by the Dust Brothers in their first gig since the Beastie Boys' Paul's Boutique. Odelay shared a similar collage structure to that 1989 masterpiece, relying on a blend of found sounds and samples, but instead of lending the album its primary colors, the Dust Brothers provided the accents, highlighting Beck's ever-changing sounds, tying together his stylistic shifts, making the leaps from the dirge-blues of Jack-Ass to the hazy party rock of Where's It's At seem not so great. Like Mellow Gold, Odelay winds up touching on a number of disparate strands -- folk and country, grungy garage rock, stiff-boned electro, louche exotica, old-school rap, touches of noise rock -- but there's no break-neck snap between sensibilities, everything flows smoothly, the dense sounds suggesting that the songs are a bit more complicated than they actually are. Most of the songs here betray Beck's roots as an anti-folk singer -- he reworks blues structures (Devil's Haircut), country (Lord Only Knows, Sissyneck), soul (Hotwax), folk (Ramshackle) and rap (High 5 [Rock the Catskills], Where It's At) -- but each track twists conventions, either in their construction or presentation, giving this a vibrant, electric pulse, surprising in its form and attack. Like a mosaic, all the details add up to a picture greater than its parts, so while some of Beck's best songs are here, Odelay is best appreciated as a recorded whole, with each layered sample enhancing the allusion that came before. ~ Stephen Thomas Erlewine, Rovi

1		Devils Haircut
2		Hotwax
3		Lord Only Knows
4		The New Pollution
5		Derelict
6		Novacane
7		Jack-Ass
8		Where It's At
9		Minus
10		Sissyneck
11		Readymade
12		High 5 (Rock The Catskills)
13		Ramshackle