The Abyssinians cut the original version of Satta Massa Gana in 1969 at Clement Dodd's legendary Studio One in Kingston, Jamaica. This first Satta featured a lead vocal by Bernard Collins, a distinctive bassline played by Leroy Sibbles of the Heptones, and a simple but effective horn chart voiced by Headley Bennett on alto sax and Vin Gordon on trombone. The song was a big hit in the dancehalls of the day, and before long new versions and dub plates of Satta began to appear. In time, the Satta rhythm became one of the most versioned in Jamaican history, with over 450 known variations to date. Britain's fine reggae reissue label Blood and Fire has collected several of these musical offspring, along with the original Abyssinians version, in a single package that chronicles Jamaica's obsession with this timeless groove. Collins revisits Satta a couple of times himself, with reworked lyrics, as Satta Me No Born Yah and Satta Don. U-Roy preaches Psalm 1 over the rhythm as Blessed, while Big Youth toasts Psalm 2 over it as I Pray Thee. Lloyd Charmers of the Uniques is featured with an organ rendition called Charming Version, while Tommy McCook adds tenor sax and Vivian Hall's trumpet, along with assorted additional percussion, and calls it Mandela. Ernest Ranglin runs a bebop guitar solo over the top and names the track Ranglin Satta. Yami Bolo sings yet another set of new lyrics to the rhythm in his so-called "waterhouse" style as Conspiracy, while Capleton does it as Dislocate in an angry, militant "bobo dread" rap. The disc closes with a version by Dean Fraser called Dahina Dimps, which has Fraser adding double overdubs on soprano and alto saxes. With its churchy, reverent tone and that one of a kind bassline and horn part, Satta Massa Gana has proved itself a versatile and resilient strand of Jamaican musical DNA, and Blood and Fire is to be commended for charting some of its history in this release. Casual listeners may find the repeated opening horn line maddening after a few tracks, but dedicated fans of classic roots reggae will find Tree of Satta a fascinating account of the evolution of the little rhythm that could. ~ Steve Leggett, Rovi

1		Satta Massa Gana
2		Thunderstorm
3		Mabrak
4		I Pray Thee
5		Charming Version
6		Wisdom
7		Satta Me No Born Yah
8		I Saw Esau
9		Mandela
10		Satta Don
11		Blessed
12		Man of Jah Order
13		It's a Joy
14		Conspiracy
15		Dislocate
16		How Long
17		Ranglin Satta
18		Corner Stone
19		Good and Bad
20		Dahina Dimps