This Austin-based group is in no rush to get things done, and that has never been more apparent than on this album. From the somber and gorgeously slow Village Fireworks, the hushed harmonies of Aaron Blount and Laura Krause are very pleasing on the spacy, country-tinted tune. When they up the tempo on the relatively pop track Kill a Tiger, it sounds like a cross between the Doors and Gram Parsons, a harder and grittier collision of twang and organ. This '60s dreamy feeling continues on The Very Air, with Bill McCullough's sparse guitar work accenting the verses perfectly. It also builds in intensity before ebbing back to square one. Opting to branch out somewhat, the band nails Massacre, an acoustic guitar-driven track that could be a contemporary song for a spaghetti Western film. Vast chasms of idle time seems to propel these songs, particularly on Warped Pearls as Blount sings about bloodied cocoons and trees imbibing antifreeze. Perhaps the highlight is Decoration Day Flood, a waltz-like Americana effort that ambles along effortlessly. But a close second is the creepy Biltmora Children, whose rhythm and tone recalls Midnight Rambler by the Rolling Stones. With the average song closing in at five minutes, Knife in the Water build tragic minidramas that are quite powerful delivered in their sweet, uplifting vocals such as My Skin Would Cover the Waterfront. Two bonus tracks, including the sleeper Bayonet, round out the very impressive hour of song. ~ Jason MacNeil, Rovi

1		Village Fireworks
2		Kill a Tiger
3		The Very Air
4		Massacre
5		Warped Pearls
6		Decoration Day Flood
7		Biltmora Children
8		Lighthouse to the Blind
9		My Skin Would Cover the Waterfront
10		Golden Calf Highway
11		Bayonet
12		Threads of Carbon in Watercolor