Loaded with guest artists and packed with danceable beats, DJ Mark Ronson's first record, Here Comes the Fuzz, is less a showcase for the New York-based artist's turntablist skills and more of a radio-friendly pop-rap party album. A rising star on the NYC club scene since the late '90s, the occasional Tommy Hilfiger model (and son of glam rock icon/guitarist Mick Ronson) previously produced tracks for other hip downtown scenesters, including #Saturday Night Live regular Jimmy Fallon, as well as singer Nikka Costa and rapper Sean Paul -- both of whom return the favor here. Much in the same way as DJ Shadow's Endtroducing... or the Avalanches' Since I Left You used the Beastie Boys' Paul's Boutique as their template to display an eclectic and voracious record-collecting habit, Ronson's Here Comes the Fuzz mixes funk, hip-hop, soul, and rock into an "everything goes when you're having fun" cocktail. While never displaying the innovative vision or giddy, melody mixing heights of either of those albums, Here Comes the Fuzz does still resonate with the pulse of youthful ego driven by libido and hot wax. To these ends, rappers Ghostface Killah and Nate Dogg take the mic over a funky cowbell and the string section of Dennis Coffey's Scorpio on Ooh Wee. Similarly, Mos Def and M.O.P. add Brooklyn street cred to Ronson's catchy, if a bit obvious co-opting of Lenny Kravitz's hit On the Run. Perhaps most interesting, though, are Ronson's attempts at actual songwriting, such as on the cosmopolitan disco plea High, featuring vocalist Aya, and the punk à go-go of I Suck with Rivers Cuomo, which finds the Weezer frontman doing his best Let's Go to Bed-era Robert Smith warble against a sample from Labi Siffre's Too Late. [This Japanese release includes bonus material.] ~ Matt Collar, Rovi

1		Intro
2		Bluegrass Stain'd
3		Ooh Wee
4		High
5		I Suck
6		International Affair
7		Diduntdidunt
8		On the Run
9		Here Comes the Fuzz
10		Bout to Get Ugly
11		She's Got Me
12		Tomorrow
13		Rashi (Outro)
14		NYC Rules