Born in Sheffield, England, Martin Raphael was working as a central heating salesman when he and his wife, Selket, emerged onto the late-'60s psychedelic scene, with an act that was as eye-catching as their legend. A one-off deal with CBS saw them cut the single Crazy Eye/Mind's Eye in 1968. According to Ramases, the A-side was actually called Quasar One; it was retitled by a crackling telephone line.
Released under the name Ramases Selket (conjuring images of some kind of bizarre Sonny Cher), the single did little, and the pair moved on to Major Minor, which released Love You/Gold Is the Ring later that same year, this time under the name Ramases Seleka. Again the record fared poorly, but Ramases' musical vision continued expanding and, in 1970, the duo signed with Vertigo.
Recorded at Strawberry Studios in Manchester, the ensuing Space Hymns LP remains one of bassist Graham Gouldman's favorite sessions, out of all those that the future 10cc undertook during the early '70s. "It was great. It was a really fine album to make. We would sit down on the floor with acoustic guitars, that kind of vibe, very hippy and mystical."
The album retains that vibe, both across the music and via a majestic sleeve painting from Roger Dean. But Space Hymns sold no more than most of Vertigo's other releases (two singles, Balloon and Jesus Come Back, disappeared likewise), and Ramases slipped from view for the next three years.
He and Selket resurfaced in 1975, releasing the astounding Glass Top Coffin album and, thanks to the 10cc connection, looking set to enjoy at least a degree of success. Unfortunately it didn't work out like that, and the pair returned to obscurity. Ramases died by his own hand at his Felixstowe home in 1978. ~ Dave Thompson, Rovi
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Screw You |
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Life Child |
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Balloon |