When he was held by Washington, D.C., police regarding the murder of a drug dealer in 1987 ("Murder, Drugs, and the Rap Star" read a Washington Post headline), it gave him an even greater notoriety (he was never charged with the murder). Declaring war on D.C.'s go-go scene and loudly criticizing Run D.M.C. (then the ruling New York rap outfit), Just-Ice set a pattern for many a future hip-hop feud. Little could halt Just-Ice's ascension to hip-hop stardom, though the departure of Mantronik from Sleeping Bag was a bad omen. KRS-One stepped in to produce 1987's Kool Deadly, an album that swapped Mantronik's hi-tech skills for raw, elemental beats and rhymes. The British and New York public that had so enthusiastically embraced Back to the Old School were diffident about this one, and 1989's The Desolate One (with KRS-One back in the producer's seat) was no great improvement. By 1990, both Just-Ice and Sleeping Bag appeared to be quickly fading as a new generation of rappers and labels overtook them. He continued to release albums at intervals across the 1990s, but they were on tiny independent labels and were rarely noticed. Just-Ice was a member of hip-hop super session, the Stop the Violence All Stars, who released one single (Self Destruction) in 1990. The revival of interest in old-school rap in the late '90s created fresh demand for Back to the Old School, but Just-Ice appeared unwilling or unable to capitalize on the renewed interest. ~ Garth Cartwright, Rovi