"Inadequate" was one bristling yet simple summary of Thomas' competence, which in light of what happened with the band's career points to the usual crossroads between aesthetic and populist concerns. Thomas was a simpler player than Bourge, although not so simple as to repel brilliant players such as Randy Rhodes, apparently a close friend of the former axeman. Indeed, Budgie became imitative of the more appropriately named Black Sabbath, a stylistic move Thomas was able to put across with ease once Budgie's sets flew in front of the American heavy metal crowd.
Thomas has had major input into the group's songwriting since joining up, his collective body of co-written titles in some ways equivalent to a front-row seat at a vintage Times Square exploitation triple bill. The characters include a Renegade, Victim,Hellbender, and Gunslinger, enough to Rock Your Blood as a Panzer Division Destroyed. A Forearm Smash could be delivered by a gung-ho rocker trying to repeat a track on his player; the evocative N.O.R.A.D. (Doomsday City) can be retroactively and comfortably viewed as nostalgia in the era when cheaply armed terrorists have replaced Communist nukes, even though there is always a Finger on the Button in the House of a Sinner. To be fair, Thomas also helped write a lot of typical love songs with cheesy titles. ~ Eugene Chadbourne, Rovi