Widely perceived as one of the archetypal bubblegum artists of the late '60s, Tommy Roe cut some pretty decent rockers along the way, especially early in his career -- many displaying some pretty prominent Buddy Holly roots. In fact, Roe's initial pop smash, 1962's chart-topping Sheila, was quite reminiscent of Holly's Peggy Sue, utilizing a very similar throbbing drumbeat and Roe's hiccuping vocal. The singer had previously cut the song for the smaller Judd label before remaking it in superior form for ABC-Paramount. The infectious Everybody -- another hot item the next year -- was waxed in Muscle Shoals at Rick Hall's Fame studios, normally an R&B-oriented facility (it's not widely known that Roe wrote songs for the Tams, a raw-edged soul group from his Atlanta hometown). Once Roe veered off on his squeaky-clean bubblegum tangent, he stuck with it for the rest of the decade. His lighthearted Sweet Pea and Hooray for Hazel burned up the charts in 1966, and he was still at it three years later when he waxed his biggest hit, Dizzy, and Jam Up Jelly Tight. ~ Bill Dahl, Rovi