After encountering the abstracted, loop-based "jazz" of Jan Jelinek's minimal dub masterpiece Loop-Finding-Jazz-Records (which culls its source material, albeit unrecognizably, from vintage jazz albums) on a late-night radio broadcast, Triosk began incorporating samples of Jelinek's work into their live shows, improvising in response to the gradual mutations of loops played from a mini-disc. Jelinek's November 2001 tour of Australia gave the musicians an opportunity to meet and develop the mutually engaged creative relationship that resulted, two years later, in the album 1+3+1. A collection of collaborations conducted through the intercontinental mail, and titled to reflect the process of its creation, it was comprised of pieces begun as Triosk improvisations atop pre-recorded Jelinek material, which the producer then further modified, edited, and mastered in Berlin. The collaborators appeared in concert together on a 2004 Australian tour, including, fittingly, an appearance at the first Jazz:NOW festival in Sydney.
Jelinek also appeared on two tracks of Moment Returns, the first proper Triosk album, which was recorded around the same time as 1+3+1 but not released until 2004, and for which the group moved from Scape (Jelinek's home base) to the London-based Leaf label -- an appropriate fit considering Leaf's roster of artists melding electronic and acoustic elements in innovative ways: Colleen, Psapp, and Manitoba, among others. The more cohesively organic though still distinctly electronic Headlight Serenade followed in July of 2006; Adrian Klumpes issued a likeminded solo effort, Be Still, that November. In December 2007 Laurence Pike announced his decision to leave and thereby effectively dissolve the band, citing irreconcilable musical and personal differences. ~ K. Ross Hoffman, Rovi
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Visions IV |
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On the Lake |
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Vibes/Pulse |