Sparks' idea was to get the Back Porch Majority (visualized as a sextet or septet, slightly smaller than the Christys' ten-person lineup) off the ground as a performing unit and get them as much exposure as possible, but also to use them as a source for new members of the New Christy Minstrels; they would, in effect, be the minor league "farm team" for the Christys. The Back Porch Majority did better than Sparks could have hoped, despite the fact that they entered the field of "big-band" folk music somewhat late -- they were chosen to entertain at the White House in 1965, and were signed by Columbia Records's Epic label, where they ultimately released five LPs, including a live album recorded at Sparks' club, Ledbetters. They also appeared on installments of the network music showcase Hullabaloo, and were guests on other variety shows as well. Among the earliest alumni of the Back Porch Majority to make the jump to the Christys was Paul Potash, a former Greenwich Village folkie who'd moved to California, originally as a partner with Art Podell (who'd been a member of the Christys since 1962) -- Podell joined in 1964, replacing Gene Clark. The Back Porch Majority continued making records through 1967 before breaking up, but their most successful member, apart from Clark, was probably singer-guitarist Kin Vassy, who appeared on records by artists as different as Frank Zappa (Apostrophe), Dolly Parton, Kenny Rogers, and Lionel Richie, and sang on the USA for Africa: We Are the World album. ~ Bruce Eder, Rovi