Their demo tape caught the attention of King Tee and Tash of Tha Alkaholiks, and soon the Lootpack joined the related collective the Likwit Crew; they also produced two tracks on Tha Alkaholiks' 1994 debut, 21 Over, and appeared on the follow-ups Coast II Coast and Likwidation. In the meantime, the Lootpack found it difficult to land a satisfying deal of their own. Their only recorded output for a time was the 1996 EP Psyche Move, which was funded by Madlib's father, soul singer Otis Jackson Sr. Psyche Move attracted the attention of Bay Area DJ Peanut Butter Wolf, who eventually signed the group to his Stones Throw label.
The Lootpack's first Stones Throw release was the 12" single The Anthem in 1998. Two more singles, Whenimondamic and Questions, preceded the Lootpack's first full-length album, Soundpieces: Da Antidote, which was finally issued in 1999. While it wasn't massively popular, the record caused a stir in underground hip-hop circles, winning high praise from the musicians and critics who managed to discover it. It spun off another 12" in Weededed, and marked Madlib as a producer to watch in the new millennium. In fact, several of his side projects -- most notably the bizarre double-identity Quasimoto and the jazz-funk group Yesterday's New Quintet -- consumed his attention in the immediate wake of Soundpieces.
Though the Lootpack were largely silent on record, they continued to tour over the next few years, and DJ Romes released his own breakbeat record, Hamburger Hater Breaks, in 2001; also that year, the group assembled its own documentary film, #Da Packumentary. The single On Point appeared in 2002, and a full-length collection of previously unreleased tracks, Lost Tapes, came out in 2004. ~ Steve Huey, Rovi
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