This lineup impressed audiences and critics alike, and got to record an LP, Out of the Frying Pan (1968), co-produced by Miller and Gus Dudgeon. That record featured them covering established compositions ranging from Alexander's Ragtime Band to Jumpin' Jack Flash, as well as a pair of Mick Weaver pieces. They got a fair amount of notice for their pounding rendition of Green Door, and their instrumental version of Jumpin' Jack Flash also achieved considerable cult popularity as a single. And their single-only release of I'm a Man has proved enduringly popular as well. Like a lot of jazz/blues hybrid groups of the era, Wynder K. Frog were able to achieve serious recognition in London, but were running against a musical tide from America that was moving in the direction of arena rock and big-scale, high-volume sounds with which they could never compete, at least with their brand of music. The classic lineup started to split in late 1968, but not before Shawn Phillips came aboard on guitar and vocals for a time. Spenner went on to become part of Joe Cocker's Grease Band along with Rowland, the two in that capacity playing an extended tour of the United States, culminating with the Woodstock festival in August of 1969, and they and Neil Hubbard were subsequently the core of the reorganized, free-standing Grease Band. Meanwhile, following the dissolution of Wynder K. Frog, Weaver and his record label issued the posthumous album Into the Fire (1969). The group's reputation was mostly confined to the London music community, though the fact that they kept turning up in accounts of the Grease Band's and Joe Cocker's history probably gave them more international exposure, at least as an object of curiosity, than their music ever did at the time. Among their three LPs, Out of the Frying Pan has been re-released on CD. ~ Bruce Eder, Rovi