The pair's early releases include remix and engineering work for Suburban Base and an assortment of artists, but Ram was already in the works by the time they were seriously laying down tracks, and by the release of their fourth 12-inch -- The Touch/Valley of the Shadows -- Ram's trademark of dark, pointed, brazenly technological hardstep was picking up speed in the clubs. That single's B-side, in fact, was one of the earliest blasts from darkside's more bleepy cousin, techstep (popularized by Ed Rush, Trace, Doc Scott, etc.). Rather than following tech's leaders through the murk of fear and isolation, however, Andy and Ant have turned instead to a process of refinishing; an approach similar to techno, with the focus on the details and subtlety and finesse substituted for the brash beats-n-bass attack of techstep's front guard. The breaks still shred through the fabric of their tracks, but rolling beats in the Ram sense never equal soft and sweet, and a nervous, adamant jitter of electronics is usually in tow.
The pair took the formula to new heights in late 1996, coming up with arguably one of the biggest tunes of the year with the Origin Unknown remix of Busta Rhymes' Whoo-Ha. And while Ram and sister label Liftin' Spirits (home primarily to Miles-related projects) have remained for the most part 12" driven, the pair joined ranks with labels such as Metalheadz, Infra-Red, and Reinforced by releasing The Speed of Sound in early 1997, a full-length collection of new cuts and exclusive mixes from the entire Ram family (which also includes Shimon and Stakka K-Tee, among others). The following year, Andy C, Miles, and Shimon released three lauded singles (as Ram Trilogy) and followed with the full-length Molten Beats in 1999. In addition to their work together with Ram and Liftin' Spirits, Ant and Andy continue a long reign as in-demand remixers, as well as DJing (Andy) and working on solo material (Miles records as Higher Sense for Moving Shadow). [See Also: Ram Trilogy] ~ Sean Cooper, Rovi