Biography
Ethel Smyth fought against the expectations imposed by society to pursue her dreams and ambitions. She considered herself a serious composer and was recognized as such by Brahms, Greig, Clara Schumann and Tchaikovsky. A composer of chamber, orchestral, vocal works and operas, Smyth's work is eclectic in style, apparently never acquiring the artist's one true "voice". Nevertheless, she held her work up to the highest standards and they withstood the test. Her work contains adventurous experiments in harmony and brilliant thematic development. She often wrote her own librettos for her operas in French and German. Her work is majestic and potent and is considered to be characteristic of the revival of English music. Deaf in her later years, Smyth turned to writing prose as a creative outlet and achieved acclaim in this area as well. For women, she is a role model for those who choose a path and work to attain a non-traditional goal. ~ Lynn Vought, Rovi



 
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Trio for Piano, Violin and Cello in D Minor: I. Allegro non troppo
The Insane Life of Ethel Smyth
The March of the Women (Piano Solo) - Ethel Smyth
Ethel Smyth: Harmonizing Equality | Composer & Arranger Biography
March of the Women (Ethel Smyth)
Ethel Smyth: The Clown (3 Songs, No.1)
Smyth, "Serenata en Re mayor" ("Serenade in D major") - Consuelo Bolio/Orquesta Sinfónica de Xalapa
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