The previous two Feelies albums had been released by the major-label-affiliated AM, and -- despite the newly indie-friendly grunge era -- neither Mercer nor Weckerman had any desire to pursue that kind of success again, nor had any desire to tour. As with the Willies, the Trypes, Yung Wu, and other Feelies spin-offs, they were content simply to play music as often as possible. They were joined by another high school friend, Russell Gambino, as well as Feelies roadie Troy Weiss. Following the Feelies' increasingly polished efforts for AM, Wake Ooloo continued in the Feelies' tradition of jangling guitars, atmospheric percussion, and a deep Velvet Underground streak, but took a far looser approach -- a direct result of the meticulous Million's absence. Released three years after the Feelies' Time for a Witness, Wake Ooloo's Hear No Evil felt similar in spirit to the anarchic joy of early Feelies live bootlegs, though the sound would grow tempered with successive albums. While Mercer wrote the majority of the band's material, Weckerman, Gambino, and others contributed original songs, as well. For fans of the Feelies, Wake Ooloo are as worth exploring as the Trypes or Yung Wu -- or more, given that they were Mercer's primary outlet for three albums.
The band split in 1998, when Gambino could no longer make time for it. Mercer and Weckerman continued to make music together, pairing with Feelies drummer Stan Demeski for a time in Sunburst, as well as a Mercer solo album, and an eventual Feelies reunion in 2008. ~ Jesse Jarnow, Rovi