Born in New Orleans on September 11, 1967, Connick grew up the son of two lawyers who owned a record store. After starting on keyboards at the age of three, he first performed publicly at six and recorded with a local jazz band at ten. Connick attended the New Orleans Center for the Creative Arts and studied with Ellis Marsalis and James Booker. A move to New York to study at Hunter College and the Manhattan School of Music gave him the opportunity to look up a Columbia Records executive who had asked to see him, and Connick's self-titled album debut -- a set of mostly unaccompanied standards -- appeared in 1987. Jazz critics praised Connick's maturity and engaging style, as well as his extended stays at New York hot spots throughout the year. His second album, named for his age in 1988, was the first to feature him on vocals.
Already well known within jazz circles, Connick entered the American consciousness with the soundtrack to 1989's popular film When Harry Met Sally. Director Rob Reiner had asked Connick to compose it, and he recorded several warm standards ("It Had to Be You," "Let's Call the Whole Thing Off," "Don't Get Around Much Anymore") with a big-band backing. A world tour followed, and When Harry Met Sally eventually reached double-platinum status. With Connick a major celebrity, he diverged into an acting career, playing a tail gunner in 1990's Memphis Belle. That same year, he released two albums simultaneously: one, We Are in Love, was another vocal outing with similar standards as had appeared on When Harry Met Sally, and the second, Lofty's Roach Souffle, was all-instrumental. Both albums hit the Top Five of the jazz chart, while We Are in Love reached number 22 on the Billboard 200.
Connick toured again, this time with a big band, and recorded the group on 1991's Blue Light, Red Light, which again topped the jazz charts and cracked the Top 20 of the Billboard 200. During the mid-'90s, Connick's albums continued to reach platinum status, including 1992's 25, a 1993 Christmas album, and 1994's She. More acting work came his way, including a starring role in 1995's Copycat (where he played a serial killer). He also had a role in the year's biggest blockbuster, Independence Day. In 1996, he released Star Turtle, an album that found him exploring his love of Stevie Wonder-esque funk and R&B. However, he returned to more jazz-oriented work with 1997's orchestral ballads album To See You and 1999's big band production Come by Me, both of which hit number one on the jazz charts.
In the new millennium, Connick cycled between albums exploring his jazz roots and those with songbook standards. Interestingly, post-2001, Connick moved between two labels with albums released on both Columbia and saxophonist Branford Marsalis' Marsalis Music label. Among these were the big-band album Only You, featuring popular music from the '50s and '60s, and the more intimate releases Other Hours: Connick on Piano, Vol. 1 (2003) and Occasion: Connick on Piano, Vol. 2 (2005), which focused on the artist's instrumental abilities. As well as releasing albums, Connick continued to act, appearing regularly on the television sitcom Will & Grace before it ended in 2006. Ever devoted to his hometown, Connick was also heavily involved in the support and rebuilding of New Orleans post-Hurricane Katrina. In early September 2005, he organized the benefit telethon A Concert for Hurricane Relief on NBC to raise money for and draw attention to the beleaguered residents of New Orleans. Afterward, he worked closely with Habitat for Humanity in helping victims of Katrina. He also returned to Broadway starring alongside Kelli O'Hara in a 2006 production of The Pajama Game for which he earned Tony Award-nomination.
In 2007, Connick once again expressed his deep love for his hometown with the release of his New Orleans tribute album, Oh, My Nola, on Columbia. The similarly New Orleans-themed Chanson du Vieux Carré followed soon after. A year later, Connick delivered his third holiday album, What a Night! A Christmas Album. He once again revisited a set of American popular song classics and contemporary pop standards with 2009's Your Songs. In 2011, as part of WNET's Great Performances series on PBS, Connick released the live album and DVD In Concert on Broadway. The concert featured Connick backed by his big band and orchestra performing at the Neil Simon Theater in New York City. That same year, he also starred in a Broadway revival of On a Clear Day You Can See Forever.
In 2013, he returned with the funk-oriented album Smokey Mary. The album coincided with the 20th anniversary of the Krewe of Orpheus, the Mardi Gras super krewe that Connick co-founded in 1993. Included on the album was the song "Smokey Mary Boogie Woogie Choo Choo Train," which Connick penned in homage to the krewe's signature float. Also in 2013, Connick released the eclectic album of all-original songs, Every Man Should Know.
In 2014, Connick signed on to be a judge on the 13th season of American Idol. He stayed with the show through its final season -- the one that ran from 2015 to 2016 -- but he made plans to stay on television via a daytime variety show, Harry, which debuted in September 2016. While all these plans were being laid, he released the poppy album That Would Be Me in the fall of 2015 before returning to his big band in 2019 with True Love: A Celebration of Cole Porter. Also in 2019, he headlined the Broadway production Harry Connick Jr. -- A Celebration of Cole Porter. In March 2021, Connick delivered the Grammy-nominated Alone with My Faith, an intimate album recorded entirely on his own while in lockdown during the COVID-19 pandemic. That December, he starred as Daddy Warbucks in NBC's Annie Live! ~ Matt Collar, Rovi
The only App that can give you results through singing and humming search!