Jeanne Moreau is an icon of the French cinema who also experienced a streak of success as a vocalist during the 1960s. Born on January 23, 1928, in Paris, she broke into the film industry during the 1950s, appearing most notably in a pair of 1958 films by Louis Malle, #Ascenseur Pour l'Échafaud and #Les Amants. Following her breakthrough success in these films, she appeared in a long line of others by prominent directors, most notably François Truffaut, who immortalized her in his classic #Jules et Jim (1962), as well as Jean-Luc Godard (#A Woman Is a Woman, 1961), Michelangelo Antonioni (#La Notte, 1961), Orson Welles (#The Trial, 1962), Luis Buñuel (#Diary of a Chambermaid, 1964), Rainer Werner Fassbinder (#Querelle, 1982), and Wim Wenders (#Until the End of the World, 1991). Moreau's recording career as a vocalist was sparked by her memorable performance of the song Le Tourbillon in #Jules et Jim. Released as a 45-rpm single by Philips in 1962, Le Tourbillon was written by Cyrus Bassiak (born Serge Rezvani). The full-length album Jeanne Moreau (1963), comprised of a dozen songs by Rezvani, was released on the Disques Jacques Canetti label in the wake of Le Tourbillon. Subsequent silver-screen singing performances of note include the songs Embrasse-Moi, a Bassiak song from the film #Peau de Banane (1963), and Ah les P'tites Femmes de Femmes de Paris, a duet with Brigitte Bardot from the film #Viva Maria (1965). There was also another full-length album of Bassiak songs released on Disques Jacques Canetti, 12 Chansons (1966). Moreau's two full-lengths were later compiled by the British label Él on The Immortal Jeanne Moreau (2008). Numerous other best-of collections were compiled over the years, most of them featuring soundtrack recordings such as Le Tourbillon alongside material from her full-lengths. ~ Jason Birchmeier, Rovi