Paul McCartney got to know Scott in London clubs in the 1960s. He borrowed Scott's catch phrase "ob-la-di ob-la-da" -- a Yoruba phrase meaning "life goes on" -- for the title line in one of the White Album's more famous cuts, Ob-La-Di Ob-La-Da. Scott also played congas on the track, recorded in July 1968. Apparently he wanted a bit more than an opportunity to play on a Beatles record. As McCartney told -Playboy in 1984, "He got annoyed when I did a song of it because he wanted a cut. I said 'Come on, Jimmy. It's just an expression. If you'd written the song, you could have had the cut.'" According to Steve Turner's -A Hard Day's Write: The Story Behind Every Beatles Song, when Scott was imprisoned around the end of the '60s for failing to pay alimony, McCartney paid for his legal bill, in exchange for Scott dropping contentions that he was owed something for the title phrase.
Also according to -A Hard Day's Write: The Story Behind Every Beatles Song, Scott played on the Rolling Stones' Beggars Banquet, and at the Rolling Stones' free concert at London's Hyde Park in July 1969. If that's so, he probably played on Sympathy for the Devil, the track on which African-style percussion can be heard. In the '70s he gave workshops on African music and drumming at the Pyramid Arts project in East London. In 1983, he joined the ska-rock band Bad Manners, and was still with them when he died in 1986. Doug Trendle of Bad Manners said that Scott caught pneumonia during an American tour, and died the day after a strip-search upon re-entry to Britain, where he was left naked for two hours. ~ Richie Unterberger, Rovi