In 1985, Gallagher returned to film in the Dennis Potter-scripted #Dreamchild, followed in 1987 by #My Little Girl; after garnering a Tony nomination for his work in a controversial revival of Long Day's Journey into Night, he enjoyed his motion picture breakthrough as an adulterous attorney in Steven Soderbergh's influential 1989 debut #sex, lies and videotape. The performance earned Gallagher considerable credibility within the independent filmmaking community, but his next several efforts were more mainstream productions like 1990's #Tune in Tomorrow and the television drama #Love and Lies. However, a subsequent turn in Peter Sellars' 1991 avant-silent #The Cabinet of Dr. Ramirez brought acclaim from art-house audiences, and with a lead role in Robert Altman's 1992 comeback #The Player, Gallagher's stock rose even higher. In the following years, he split his time between edgier material (Tim Robbins' #Bob Roberts, Altman's #Short Cuts, and Soderbergh's #The Underneath) and lighter, more glossy projects (#Malice, #While You Were Sleeping, and #To Gillian on Her 37th Birthday.) Gallagher went on to appear in #American Beauty (2000) and #Mr. Deeds (2002) before moving into episodic television with a role on Fox's highly touted nighttime soap #The O.C. The show was an instant hit, and Gallagher received high marks for his portrayal of Sandy Cohen, an idealistic Newport Beach district attorney who brings a troubled youth from the wrong side of the tracks into his wealthy family. From the beginning, music was an integral part of the #O.C. experience. The show's creators were conscious of its clout, and as a result, were more adventurous in their music selection. But they also recognized the nascent Broadway spirit in Gallagher, and a memorable season two episode featured Sandy singing Solomon Burke's Don't Give Up on Me in a musical tribute to his wife Kirsten (played by Kelly Rowan). That led to a record deal for Gallagher, and in November 2005, he released 7 Days in Memphis. Recorded at the city's Ardent Studios with Steve Cropper and a host of studio pros, the album was an enjoyable collection of soul standards mixed with a couple of newer songs. ~ Jason Ankeny, Rovi