Since his childhood, he was a zabumba player and coco singer in his hometown. At 15, he came to Rio, settling in the Cantagalo hill. In 1950, he was hired by Rádio Clube do Brasil as a musician, becoming an accompanist for many great artists. In 1960, he joined the Orquestra Copacabana Discos (São Paulo SP) and, in the '70s and '80s, the Orquestra da TV Globo. In 1965, Marlene recorded "Nunca Mais" (Bezerra da Silva/Norival Reis). In 1969, da Silva debuted as an interpreter, recording a single through Copacabana, "Viola Testemunha" (Bezerra da Silva/Jorge Garcia/Almir Delfino) and "Manã Cadê Meu Boi" (Jorge Peçanha/Bezerra da Silva), the latter having won a partido alto festival in São Paulo. In spite of his connection with the Carioca samba, as an imposition of the A&R director for Tapecar his first LP, Bezerra da Silva - O Rei do Coco (1975), and the second, Bezerra da Silva - o Rei do Coco, Vol. 2 (1976) were dedicated to coco, genre natural of Pernambuco, his state of origin. But the following year was a milestone in his career, when he finally headed for his own individual voice and met national popularity as a partido alto singer/composer. ~ Alvaro Neder, Rovi