Taking a deliberate step away from the old-school tendencies and cartoon metal lyrics of his former band, Halford based the Fight's sound on the more sleek, thrash-oriented approach of newer metal outfits like Pantera and matched the intense sound with decidedly more topical and socially relevant lyrics. Although it didn't make much of a splash in the mainstream world, War of Words proved to be a hit among Halford's fans, and Fight embarked on a successful tour in 1993 and 1994.
Abandoning the elaborate staging, lights, and props that Priest was famous for, Halford and company delivered their material with the stripped-down intensity and hunger of a baby band while paying a debt to its past (and showing its commitment to heavy metal) with covers of Priest's Freewheel Burning and Black Sabbath's Symptom of the Universe. Mutations, an EP of live tracks and remixes, was released in 1994, followed by Fight's second full-length release, 1995's A Small Deadly Space, which saw Russ Parrish replaced by new guitarist Mark Chaussee. The album, featuring a more collaborative songwriting approach from the band, offered a slightly toned-down version of War of Words' full-bore intensity and lacked the excitement of Parrish's fluid soloing, but otherwise maintained the straightforward metal sound and Halford's darker, real-life horror lyrical themes. A Small Deadly Space would be Fight's final offering; Halford disbanded the group in 1996 and moved on to new stylistic pastures with his next project, the Trent Reznor-produced Two. ~ Andy Hinds, Rovi