Born December 3, 1911, in Milan, Italy, Rota was a child prodigy who had already written an opera and an oratorio prior to his 15th birthday; he subsequently studied at the Curtis Institute in Philadelphia as well as the Liceo Musicale in Bari, where he served as director from 1950 to 1978. Rota first entered the Italian film industry in 1933, scoring the "white telephone" romances and musicals prevalent during the era. Before 1950, he composed the music for some 30 features, as well as the operas Torquemada and The Florentine Straw Hat.
With the 1952 release Lo Sceicco Bianco, Rota teamed for the first time with Fellini. Their 30-year collaboration was one of the most fruitful director-composer pairings in film history, resulting in world classics including 1954's La Strada (later adapted by Rota into a ballet), 1963's 8 1/2, 1974's Amarcord and, perhaps most famously, 1960's La Dolce Vita. Launched to international prominence through his work with Fellini, Rota also began composing material for other major filmmakers including Luchino Visconti (1960's Rocco E I Suoi Fratelli), King Vidor (1956's War and Peace) and Mario Monicelli (1959's La Grande Guerra). In 1968, he scored Zeffirelli's Romeo and Juliet, and its love theme became among his most recognized compositions; even more distinctive was his theme for Coppola's 1972 classic The Godfather. For 1974's The Godfather Part II, Rota won an Academy Award. He died in Rome on April 10, 1979. ~ Jason Ankeny, Rovi