I Want Candy, with its crunching Bo Diddley beat, joyous chorus, and rambling lead guitar, was their great moment, reaching number 11 in 1965. Forced to put together a live act to support their disc, they made outrageous claims to hail from the nonexistent town of Armstrong, Australia, where they had made a fortune as sheepherders who had developed a cross-breed. They also made the Top 40 with a couple fairly gutsy follow-ups, Cara-Lin and Night Time, both of which were built around crunching claps, stomps, and drums. Also recording an album and several non-hit singles, most of their material unashamedly plagiarized the Bo Diddley beats of I Want Candy, with forgettable results. They withdrew from performing and recording to concentrate on writing and producing for the McCoys, although Strangeloves releases continued to appear until 1968. Goldstein went on to produce records for War in the 1970s, and Gottehrer produced efforts by Blondie, the Go-Go's, and others. ~ Richie Unterberger, Rovi