The '90s brought an alliance with ECM, which issued some of Stanko's most acclaimed work, including another lush, gorgeous tribute to Komeda, 1997's Litania, which was heavy with that composer's film work. The follow-up on ECM, 2000's From the Green Hill, drew from many of the same emotional and historic sources as Komeda's work, but this time the compositions were Stanko's. In 2002, his contributions to European jazz were honored when he was issued the very first European Prize, which was intended to honor outstanding European jazz musicians. During the final round of voting from 21 critics from as many countries, Stanko won ten votes, narrowly topping the runner-up, Dutch pianist Misha Mengelberg. That same year, Soul of Things was released on ECM, followed by Suspended Night in 2004, also on ECM. Too Pee appeared in 2006, as did Chameleon and Lontano.
In 2007, Stanko led a session that became the widely acclaimed From the Green Hill. His collaborators on the session were all bandleaders: violinist Michelle Makarski, saxophonist John Surman, bandoneon master Dino Saluzzi, drummer Jon Christensen, and bassist Anders Jormin. In 2009, Stanko led a brand-new band for Dark Eyes, which included Danish guitarist Jakob Bro and bassist Anders Christensen, along with Finnish pianist Alex Tuomarila and drummer Olavi Louhivuori. All were new names to ECM's roster. Stanko stayed busy touring and playing between different ensembles for the next three years. In 2013, Wislawa, a double live album with his New York Quartet (pianist David Virelles, drummer Gerald Cleaver, and bassist Thomas Morgan), appeared. The following year Stanko delivered Polin, an album recorded for the Museum of the History of Polish Jews in Warsaw and featuring his composition "Polish Suite." Joining the trumpeter on the album were saxophonist Ravi Coltrane, Virelles, bassist Dezron Douglas, and drummer Kush Abadey. The trumpeter's New York Quartet then underwent a personnel change. Busy with other projects, Morgan left the group, replaced by Reuben Rogers, who had worked extensively with Charles Lloyd during the previous decade. After significant club and festival work, this incarnation of the ensemble made its debut with December Avenue for ECM in April 2017. Tomasz Stanko died in July of the following year in Warsaw at the age of 76. ~ Stacia Proefrock, Rovi