Stewart first came to the attention of folklorists in the mid-'60s when Hamish Henderson, a folk music collector for the School of Scottish Studies, came to Blairgowrie seeking someone who knew the old folksong, The Berryfields of Blair. Directed to Stewart, Henderson hit the mother lode. Not only did she know the song, she possessed an extremely vast repertoire of traditional folksongs and ballads and originals that she had written for weddings and other occasions. Henderson was so impressed that he booked time in the studio at the School of Scottish Studies Sound Archives and recorded Stewart singing as many songs as she could remember with her husband, who died of leukemia in 1981, and daughters, Sheila and Cathie. Word of Stewart's amazing ability to recall songs from the past spread quickly and she was visited frequently by folksong collectors, musicians, and musicologists. When the first Traditional Music and Song Association Festival was held in Blairgowrie, Stewart and her family were featured performers. Their audience was expanded to England after Ewan MacColl featured them in a Radio Ballad. MacColl and his wife and musical collaborator Peggy Seeger later wrote a biography of Stewart and her family, -'Til Doomsday in the Afternoon, that was published by Manchester University Press. Stewart's great legacy as "custodian of the Perthshire family's folklore," has been passed to Sheila, who continues to perform the songs and stories of Scot's Traveller culture. A collection of Stewart's stories, -The King o' the Black Art, was published by Ardeen University Press in 1987. ~ Craig Harris, Rovi