Brother JT's debut album, Music for the Other Head, appeared in 1996 and introduced his acid-tinged, eclectic sound; later that year, Rainy Day Fun was released by Drunken Fish Records, the onetime home of fellow sonic trippers Bardo Pond. Come on Down, also released by Drunken Fish, came out in 1997, as did the Brother JT/Vibrolux album Doomsday Rock, which Terlesky released on his own Bedlam label. The year 1998 saw the release of Holy Ghost Stories as well as an appearance at the space/psych rock festival Terrastock II, and the following year, the live album Dosed Confused: Live '94-'97 and Way to Go arrived. JT continued to make bluesy, trippy music that defied easy classification into the 2000s: Badman released 2002's Maybe We Should Take Some More?, which was recorded in Philadelphia's Living Room studio, while Drag City issued that year's Spirituals. Terlesky collaborated with producer Dan McKinney for 2003's almost straightforward Hang in There, Baby, while 2004's Off Blue moved in an even gentler, largely acoustic direction.
JT returned in 2007 with Third Ear Candy, which had a title that fit its playful, funky, psychedelic vibe. Jelly Roll Gospel followed in 2008, followed by four more records for Ouroboros including Any Stort in a Porm (2010), Non Compos Mantis (2011), and Smash Crack-Up Pop and This Mud's for You (both 2012). The Svelteness of Boogietude, which was released in May of 2013, appeared on Thrill Jockey. A limited-edition cassette-only release, Lo Bias High Noise, was issued by Summersteps Records in 2014, while he teamed up with Ouroboros to drop On High in 2015. Brother JT ambled back to Thrill Jockey for 2018's Tornado Juice (the title was derived from Terlesky's name for LSD), which was recorded at Magic Door Studio in Montclair, New Jersey, with additional overdubs performed on JT's digital recording setup. ~ Heather Phares, Rovi
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