Such was the impact of psychedelic music in 1967, however, that by the middle of the year, Money had decided to totally revamp his sound. R&B/jazz/soul had become passe; now it was important to write your own material, and reflect the mind-expanding experience. With Summers still in tow, Zoot Money's Big Roll Band became Dantalian's Chariot. The music, written primarily by Money and Summers, changed as radically as the name, with airy melodies, spacy lyrics, and guitar/organ-driven arrangements. The band hit the London underground circuit inhabited by such acts as Pink Floyd and Soft Machine, and made their debut recording as Dantalian's Chariot (Madman) in the summer of 1967.
The single, innovative as it was, didn't make any commercial waves. Although they were a respected live act, their new direction wasn't supported by EMI, which dropped the band. A psychedelic-minded LP was worked on, but not released. Some of the material appeared on an early 1968 record, which the Direction label assembled from various tunes cut over the past year. The fact that the album was credited to Zoot Money the Big Roll Band, rather than Dantalian's Chariot, was an indication that their psychedelic direction, again, would not find support on the industry level.
All of this was not as great a tragedy as it might appear. A collection of psychedelic-oriented Dantalian's Chariot tracks (several previously unreleased) did emerge in 1996, and while it shows them to be an interesting outfit, nothing comes close to the magnificence of Madman Running Through the Fields. Dantalian's Chariot came to an end in the spring of 1968, with Summers joining the Soft Machine (and subsequently Eric Burdon's Animals); Money would also join Eric Burdon's Animals around the same time. Drummer Colin Allen went on to chalk up stints in John Mayall's band. ~ Richie Unterberger, Rovi