Singer and trombonist Aubrey Logan is a gifted jazz- and soul-influenced performer once best known as a member of the covers band Scott Bradlee's Postmodern Jukebox. She went solo with 2017's Impossible and scored a streaming hit with the single "Pistol." She followed with a compilation of early tracks titled The Prequel Years in 2018. In 2019, she delivered her sophomore full-length Where the Sunshine Is Expensive, primarily composed of originals, and in 2021 she released Standard, a 12-song covers collection that expanded the chronology of the Great American Songbook to include hits from the 1960s and '70s.

The daughter of two music teachers, Logan was born in Bellevue, Washington in 1988, and grew up in Snohomish. Interested in performing from a young age, she sang in church and participated in musicals before picking up the trombone in her teens. After high school she attended Boston's Berklee College of Music on a full scholarship and pursued both trombone and vocal opportunities there. Upon graduating, she spent several years in Boston before moving in 2012 to Los Angeles, where she met pianist Scott Bradlee and began collaborating with him on his Postmodern Jukebox covers band project, reworking contemporary pop songs in a jazz style. The videos went viral and helped boost Logan's profile. In 2017 she released her debut solo album, Impossible, featuring the single "Pistol" and followed with the digitally issued Prequel Years, compiling some of her earlier covers.

In January of 2019 she released Your Mom's Favorite Songs, a covers EP that included her versions of songs by Jimi Hendrix, The Doobie Brothers, Carole King, and the Carpenters. Her sophomore full-length, Where the Sunshine Is Expensive, arrived in March. The 12-track program comprised nine originals. Among them is the funky "Laundry," that featured an appearance from saxman Dave Koz; he also appeared on a reading of Joe Sample's and Alan Gorrie's '70s standard "Put It Where You Want It."

In 2021, Logan issued Standard, a collection that expanded the chronological reach of the Great American Songbook. In addition to fingerpopping arrangements of oft-rendered nuggets such as "Sunny Side of the Street" and "Fascinating Rhythm," she juxtaposed hits from the '60s and '70s, including "The Way We Were," "The Beat Goes On," and "MacArthur Park." ~ Matt Collar, Rovi