Nonetheless, Davie Jones the King Bees attracted the interest of manager Leslie Conn, who producing their first single and arranged for it to come out on the Decca subsidiary Vocalion. The A-side was a rearrangement of the black spiritual Liza Jane, for which Conn took the songwriting credits. Although shunned as worthless by some Bowie biographers, it wasn't a bad British R&B effort, brash if typical and derivative. Bowie played sang and played saxophone, an instrument he would rarely return to in his lengthy career. The B-side, a cover of the obscure Paul Revere song Louie Louie Go Home, was lousy, and one of the worst things Bowie ever issued on disc.
The single didn't go anywhere, and soon after its release, Bowie left the King Bees, moving on to his next group, the Manish Boys. Liza Jane/Louie Louie Go Home, an extremely rare and valuable single for years, eventually got reissued on several occasions, and is most readily available on Rhino's compilation of early David Bowie material, Early On (1964-1966). The only member of the King Bees to play a role in Bowie's post-King Bees activities was rhythm guitarist and harmonica player George Underwood, a childhood friend who did the painting of Bowie that appeared on the back of the 1969 David Bowie album, and worked for the singer's management company, Mainman, as a designer and graphic artist. ~ Richie Unterberger, Rovi