Bladd and Wolf hooked up with the J. Geils Blues Band when Danny Klein, Richard Magic Dick Salwitz, and J. Geils migrated from Worcester to the epicenter of the music scene in New England. As Geils told the AMG: "well, we moved to Boston ... 'everybody dropped out of school by the spring of '67... and the Hallucinations were already in place in Boston and we went to see them I think once or twice, and they came to see us a few times ...and they were kind of breaking up. they were all sort of museum/art school students, as I recall, that may not be totally accurate but it's fairly accurate, and I believe their bass player and guitar player...a bunch of those guys... were going off to something else, but Wolf wanted to keep singing and the drummer was interested in playing music ...so we kinda combined, and it became me and Danny and Dick and Wolf and Stephen."
Usually, the J.Geils Band would record together in the studio, though sometimes Bladd would be taped in a separate area. On tours he roomed with bassist Danny Klein, and the pair, along with their rhythm section, created a powerful and underrated foundation that generated ten Top 40 recordings in the 11-year span from January of 1972 to December of 1982.
Bluestime manager Jim Donnelly was the original road manager for the J.Geils Band after he worked with Mylon LeFevre. Donnelly told AMG that Bladd is quite a character and has lots of stories. A devoted father and grandfather, Bladd appeared witthehe J. Geils Band at a press conference in Boston on June 4, 1999, Mayor Tom Menino awarding them a "star" on the Tower Records walk of fame that day. But Bladd didn't go out on the reunion tour, the band working with Henry Rollins' drummer/noted session player Sim Cain, as documented on the Jake Geils Band bootleg from the Paradise theater, the first gig the band performed since their breakup in 1984. On the 1999 tour, Cain had to play those wonderful beats created by Bladd, which form the groove on Give It to Me, Centerfold, Whammer Jammer, and the dozens of other songs made popular by a band who toured relentlessly in the '60s, '70s, and '80s. ~ Joe Viglione, Rovi