Carpenter grew up in Durham, North Carolina, and was apparently performing on piano in college bands during the mid- '30s when he would have only been about 13-years-old. Following his college graduation he performed with several bandleaders including Johnny Davis. From 1944, Carpenter worked as a pianist in bandleader Boyd Raeburn's first influential jazz outfit. This relationship lasted a bit more than a year, after which Carpenter started up the first of his own bands, basing himself on the east coast. He led an octet for the most part during this period, relocating to Hollywood in 1947. Carpenter crafted nearly two dozen different sides between then and the mid '50s. His large group was finally reduced to unwanted lumber in 1956; the pianist literally chilled out by going to work as accompanist for skaters in the Ice Capades for the next few years.
Carpenter led some small groups in the late '50s, then basically seems to have shuttered his musical workshop. Record collectors from various camps of stylistic interest have in a small way kept the contents from going completely rusty. The band's output may have become too orientated toward pop music in the later years for serious jazz fans, yet these types of tracks have wound up appealing to a new breed of lounge and space age jazz fan. The Mothers of Invention, the first band to feature guitarist and composer Frank Zappa, would sometimes perform a cover version of Pachuco Hop in the '60s, particularly in the early Greenwich Village days when jazz heavies such as Rahsaan Roland Kirk and Archie Shepp would sit in. Carpenter's band is featured in two musical variety films from the '50s, #Rhythm and Rhyme and #Holiday Rhythm. ~ Eugene Chadbourne, Rovi