Ingenious producer, musician, visual artist, and educator Sterling Toles quietly upholds the communal legacy of Detroit's evolving underground music scene. Outside his city, he's known most for recordings with Boldy James, from a cut on the street rapper's debut Trapper's Alley: Pros and Cons to the entirety of the duo album Manger on McNichols. Toles' limited solo output is highlighted by Resurget Cineribus, a highly personal sound collage originally circulated by hand on CD-R in 2005 and remastered for wider release in 2017.

Originally from Southwest Detroit, Toles was rapping as a youngster in the mid-'80s, shortly after he moved to the east side, and started writing rhymes while in high school. After graduation, he attended Parsons School of Design for a semester and then returned home to record with a member of MF 911 (a rap crew that had recently issued an album on Next Plateau). Toles later spent a few years in the Foundation, a group featuring Kaos (previously of Kaos Mystro). Unmoved by the direction hip-hop was taking in the late '90s, Toles switched from rapping to producing and was inspired by the likes of Stereolab, Aphex Twin, Massive Attack, and especially Björk. At some point, Toles' basement became an informal artistic incubator, the antithesis of a clinical recording facility. Among those who passed through was Boldy James, who tagged along with an aspiring rapper and due to unforeseen circumstances cut his first vocals during the first visit. This meeting sparked further collaborations first made public on James' 2011 debut mixtape, Trapper's Alley: Pros and Cons.

Toles' own work didn't see official release until 2016, when Sector 7-G Recordings issued Archival Arteries of Sterling Toles, consisting of tracks the producer created from 1998 through 2006. The year the anthology was issued, Toles was named a Kresge Artist Fellow (for film and music), a prestigious distinction for Detroit artists across mediums. Sector 7-G's support of Toles continued in 2017 with a proper release of Resurget Cineribus (a phrase that appears on the flag of Detroit and is Latin for "It will rise from the ashes"). Conceived in 2002, the project illustrated the parallels of the 1967 Detroit rebellion and the life of Toles' father, whose impromptu spoken recollections were combined with samples from documentary footage of the uprising 35 years earlier. In 2018, Toles offered Boldy James a copy of what he assumed was a finished album they had started making in 2007. James had laid his last vocals in 2010, and during the intervening period up to the hand-off, Toles reshaped the tracks in piecemeal fashion with contributions from a wide range of musicians, including bassist Bubz Fiddler, drummer Mike Higgins, and percussionist Jugal Kishore Dasa. James subsequently added vocals to the closing section of one track and an instrumental. The result, Manger on McNichols, was released by Sector 7-G in 2020. ~ Andy Kellman, Rovi