In their first five years as a band, Dinosaur Jr. made three records that revolutionized underground guitar music and then promptly imploded. The original lineup of three scrappy Amherst punks had a nearly magical chemistry that always teetered on being derailed by simmering tension between controlling guitarist/vocalist/principal songwriter J Mascis and bassist Lou Barlow. In 1989, Mascis acrimoniously fired Barlow and pushed forward with his own vision for the band. Fourth album Green Mind would be not only the first Dinosaur Jr. record without Barlow's countermelodic bass lines and neurotic songwriting contributions, it would also be their first major-label effort. Released on Sire subsidiary Blanco y Negro in early 1991, Green Mind was more a Mascis solo album than the work of a proper band, with original Dinosaur drummer Murph only playing on three songs and Mascis handling almost all of the instruments. Even so, the overall sound of the album only changes negligibly from the SST classic Bug that preceded it by just 16 months. Buzzy album opener "The Wagon" (with assistance from Gumball's Don Flemming and Jay Spiegel) acts as a milder postlude to Bug's ragged "Freak Scene," and romps like "How'd You Pin That One on Me?" and "I Live for That Look" only slightly dial back the noisy punk din that could sometimes swallow entire songs on the first three albums.

1		The Wagon
2		Puke + Cry
3		Blowing It
4		I Live for That Look
5		Flying Cloud
6		How'd You Pin That One on Me
7		Water
8		Muck
9		Thumb
10		Green Mind
11		Hot Burrito #2
12		Turnip Farm
13		Forget It