Born Jerome Najee Rasheed in 1957 in New York's Greenwich Village, Najee was raised in Jamaica, Queens where he started out on the clarinet at age eight. By his teens he had switched to the saxophone, inspired by his burgeoning interest in jazz, especially artists like John Coltrane, Joe Henderson, and Grover Washington, Jr., as well as Ronnie and Hubert Laws. Along with playing in school, he was a member of Dr. Billy Taylor's Jazzmobile program, studying with Frank Foster, Jimmy Heath, and Ernie Wilkins. He also honed his flute skills at the Manhattan School of Music's Preparatory Division where he took private lessons with New York Philharmonic Orchestra flautist Harold Jones. After high school, he spent two years touring with the band Area Code, performing at military bases as part of the USO. He then joined vocalist Ben E. King's backing ensemble during the summer of 1978. Coming off the road, he briefly attended New York's Bronx Community College before enrolling as a performance and composition major at Boston's New England Conservatory of Music, where he studied alongside his brother, guitarist/producer Fareed Rasheed. However, restless to perform, the brothers eventually left school and hit the road touring with singer Chaka Kahn.
As a solo artist, Najee launched his career with 1986's Najee's Theme, which hit number one on Billboard's Contemporary Jazz Albums chart. The effort found him embracing the sound of the soprano sax, an instrument well-suited to his distinctive blend of soulful jazz and R&B. Audiences responded and the album earned a Grammy nomination for Best Instrumental R&B Performance. That same year he also joined singer Freddie Jackson on tour and returned to his solo work in 1988 with Day by Day. Najee's brother Fareed produced his third album, 1990's Tokyo Blue. Well-received, it landed on top of the contemporary jazz charts, achieved gold status, and picked up a Soul Train Award for Best Jazz Album.
Najee's fourth album, Just an Illusion, arrived in 1992 and peaked at number five on the contemporary jazz chart. Two years later, he issued the number two-charting Share My World. Also in 1994, he joined Stanley Clarke for the bassist's all-star concert album Live at the Greek, playing alongside Billy Cobham, Deron Johnson, and Larry Carlton. A year later, he paid homage to longtime idol Stevie Wonder with the George Duke-produced Songs from the Key of Life, which featured guest spots from Sheila E., Herbie Hancock, and others. Morning Tenderness appeared in 1998 and landed at number one on the contemporary jazz chart, paving the way for his first best-of collection. Also during the late '90s, Najee toured for the USO and performed at Nelson Mandela's birthday celebration in South Africa.
From 2001 to 2003, Najee toured with Prince, appearing on several of the pop icon's albums. In 2003, he released his eighth studio album, Embrace, which featured guest appearances by Roy Ayers and BeBe Winans. My Point of View arrived in 2005 and debuted at number one on Billboard's Contemporary Jazz Albums chart. The following year, the saxophonist was bestowed an NAACP Image Award for Best Jazz Artist. On 2007's Rising Sun, Najee featured singer Phil Perry, and in 2009 he issued Mind Over Matter, which included a song with singer Eric Benét.
In 2012, Najee signed with the Shanachie label and released The Smooth Side of Soul, which again found him working with singer Perry, as well as keyboardist Jeff Lorber. He stuck with Shanachie for several more outings, including the number one-charting The Morning After: A Musical Journey (which also earned him an NAACP Image Award Nomination for Outstanding Jazz Album) and 2015's You, Me and Forever.
With 2017's Poetry in Motion, Najee marked his 30th year as a recording artist. Dedicated to the memory of Prince and Al Jarreau, the album featured guest appearances by Maysa, Will Downing, and Incognito. In 2019, he released his 16th studio album, Center of the Heart, which included collaborations with singer Kenny Lattimore, Greg Manning, Darren Rahn, and Demonte Posey. It topped the Billboard Contemporary Jazz Chart. ~ Matt Collar, Rovi