X started recording his own songs in the early '80s, influenced as much by avant-rock weirdos like Zappa, Beefheart, and the Residents as by punk. His We Need Power appeared on the second Rodney on the ROQ compilation, while Isotope Soap was included on Jello Biafra's Let Them Eat Jellybeans! sampler. In 1982, X released his only solo album, You Goddam Kids, on the small Final Gear label. It featured a scenester-heavy backing group called the Mommymen, which included contributions from Josie Cotton, X drummer D.J. Bonebrake, keyboardist Paul Roessler (DC3, the Screamers), drummer Brendan Mullen, .45 Grave drummer Don Bolles, and more. X handled guitar, vocals, and studio treatments, and got a chance to indulge his bizarre sense of humor and his love of dissonant experimentalism.
As the L.A. punk scene wound down, X left town for a while to work through a drug problem. He returned to action first as an equipment reviewer for Spin magazine, then as a house audio engineer for Paramount. He came back to music in the late '80s, working with mostly local rap and alternative rock artists, and several years later opened his own studio, City Lab, in partnership with Josie Cotton. He produced a variety of records throughout the '90s, ranging from the unlikely major-label debut of Butt Trumpet (1994's Primitive Enema) to Bitch, the million-selling smash by Meredith Brooks. X later shut down City Lab and moved to a new facility in the hills of Malibu, dubbed Satellite Park, again in tandem with Cotton. In 2002, Bacchus reissued You Goddam Kids on CD. ~ Steve Huey, Rovi