Murder by Death first caught the attention of Thursday's Geoff Rickly while playing a gig together one night in their hometown of Bloomington, Indiana. Rickly promptly brought the band, then called Little Joe Gould, to the attention of his friend Alex Saavedra (Eyeball Records owner), and the group was signed immediately. The band comprised vocalist/guitarist Adam Turla, drummer Alex Schrodt, bassist Matt Armstrong, cellist Sarah Balliet, and pianist Vincent Edwards. They issued a 2001 self-titled EP as Little Joe Gould before the band eventually decided to change its name to Murder by Death. The bandmembers felt the new name better represented their baleful sound, which combined elements of artists like Nick Cave the Bad Seeds, Johnny Cash, and the Decemberists.
Their first full-length, Like the Exorcist But More Breakdancing, was released on Eyeball in August 2002. Touring early on with bands like Cursive, Interpol, and the American Analog Set, the band did a summer 2003 split with Volta Do Mar before following up that fall with the well-received Who Will Survive and What Will Be Left of Them? The record was something of a concept album based around the Devil waging war on a small Western town (and the title was another cinematic reference, referring to a slogan used to advertise the horror classic Last House on the Left). A benefit 7" appeared at year's end in memory of Ten Grand's Matt Davis, and the band continued to turn heads nationwide on tours with the likes of Lucero, the Weakerthans, William Elliott Whitmore, and Rasputina.
Edwards amicably parted ways with the group in mid-2004 to go back to school, and when his touring replacement also left by the year's end, the remaining members of Murder by Death decided to just carry on as a more rock-oriented quartet. Balliet, though, picked up keyboard parts along with her cello. After extensive touring, the bandmembers went back to college for a bit while writing their third album. Murder by Death eventually issued In Bocca al Lupo on their EastWest imprint, Tent Show Records, in May 2006. Another concept album, this one was produced by J. Robbins (Against Me!, Dismemberment Plan), and explored themes of sin and redemption, inspired in part by Dante Alighieri's The Divine Comedy. Touring continued through the summer, including a headlining stint with Langhorne Slim opening.
In March 2008, Murder by Death released Red of Tooth and Claw on Vagrant Records. The band followed up again in 2010 with its fifth studio album, Good Morning, Magpie. Two years later Murder by Death returned with Bitter Drink, Bitter Moon, which found the band taking part in a crowd-sourcing campaign through Kickstarter for the vinyl release of the album. The campaign would find them becoming the third highest-earning band since the site launched. The album was eventually released on CD and via digital download by the respected Chicago indie label Bloodshot Records. The band turned to crowd-funding again for 2015's Big Dark Love and 2018's The Other Shore, both of which were also released on Bloodshot. In 2020, the group went the seasonal route for the release of Lonesome Holiday, which featured their takes on classics like "I'll Be Home for Christmas" and "Meli Kelikimaka." Their tenth set, Spell/Bound, arrived in 2022. In addition to the smoky first single "Never Be," the self-released LP was also paired with a limited-edition printed lyric book that featured comic illustrations by 20 different artists. ~ Corey Apar, Rovi