Such further releases as 1981's In God We Trust, 1982's Plastic Surgery Disasters, 1985's Frankenchrist, and 1986's Bedtime for Democracy made the Dead Kennedys one of the world's top punk outfits, but inter-band friction eventually caused the group to break up. After the group's split, Ray played with other artists, including garage rockers Pearl Harbour, the lounge act Frenchy, surf rockers Jumbo Shrimp (which also included former D.K. bandmate Flouride), and modern rockers the Killer Smiles. Ray also played on the album Sidi Mansour by Algerian singer Cheikha Remitti, which featured contributions by King Crimson guitarist Robert Fripp and Red Hot Chili Peppers bassist Flea. Ray then became involved in either producing, mixing, and/or mastering other artist's albums, including recordings by the Screaming Bloody Marys, Gloria's Head, (Hed) Pe, Cell Block 5, and Strychnine, among others. East Bay Ray also did soundtrack work for directors David Segal and Scott McGhee (who would later enjoy acclaim with their 2001 thriller/drama #The Deep End). But the biggest publicity that Ray received since the Dead Kennedys breakup was when he, Flouride, and Peligro took Biafra to court over royalty disputes (Biafra became the head of the Dead Kennedys' record label, Alternative Tentacles, after their split), which Ray and company wound up winning in 2000 (and collecting nearly 200,000 dollars, including 20,000 dollars in punitive damages). Ray, Flouride, and Peligro then resurrected the Dead Kennedys with a new singer, Dr. Know's Branon Cruz, a year later. ~ Greg Prato, Rovi